So Pantone has launched a brand new colour system. Frankly, it’s about time. continue
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So Pantone has launched a brand new colour system. Frankly, it’s about time. continue
Read 1 comment on this post, or add your own
It’s not necessarily a criticism of reality TV to say it had you shouting at the screen. But the target of your ire is supposed to be the foolishness of the participants, not the programme makers. continue
Karim Rashid is one of the most prolific product designers of the day, best known for mass-market barnstormers like the Garbino dustbin, which sells for under a tenner. continue
Mark Gatter has worked in print production in the UK and US for twenty years, so it’s no surprise that he knows what he’s talking about. This slimmish volume, aimed at designers but equally useful to layout subs, provides a concise overview of prepress technologies and techniques. continue
I happen to be a bit of a fan of creative accidents. The only time I was ever in a recording studio, I improvised exactly what the producer wanted on the first take, which was not recorded, and then failed to reproduce it for the next hour and a half continue
If computer-based artists, illustrators and publishers are all too often found wanting when it comes to the technicalities of prepress and print, they’re just as often accused of ignorance about the history and conventions of art and design. continue
The digital age has enormously complicated and expanded the legal field of intellectual property. Software copyright and copy protection are hot issues for manufacturers, developers, movie distributors and record companies. While trying to keep up with all this, there’s a danger that businesses overlook the traditional principles of copyright continue
Copyright is a concept that’s often referred to but rarely well understood. From the lowliest student to the biggest design agency, we’re all protected by it – and we all risk infringing it. continue
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