It’s not every day you get to meet the world’s most famous graphic designer. Not even when it’s in his diary. continue
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It’s not every day you get to meet the world’s most famous graphic designer. Not even when it’s in his diary. continue
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So Pantone has launched a brand new colour system. Frankly, it’s about time. continue
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Production for Graphic Designers has been the standard text on the subject since it first appeared in 1992, a bible not only for its stated audience but for anyone and everyone working in print. So a new edition is quite an event continue
Karim Rashid is one of the most prolific product designers of the day, best known for mass-market barnstormers like the Garbino dustbin, which sells for under a tenner. continue
Mark Gatter has worked in print production in the UK and US for twenty years, so it’s no surprise that he knows what he’s talking about. This slimmish volume, aimed at designers but equally useful to layout subs, provides a concise overview of prepress technologies and techniques. continue
I happen to be a bit of a fan of creative accidents. The only time I was ever in a recording studio, I improvised exactly what the producer wanted on the first take, which was not recorded, and then failed to reproduce it for the next hour and a half continue
If computer-based artists, illustrators and publishers are all too often found wanting when it comes to the technicalities of prepress and print, they’re just as often accused of ignorance about the history and conventions of art and design. continue